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	 <eadid countrycode="mnu" mainagencycode="MnU" publicid="-//University of Minnesota, Twin Cities   ::University of Minnesota Archives//TEXT us::MnU::uarc00294.xml::Katherine   Nash Papers, 1910-1982//EN">uarc294</eadid> 
	 <filedesc> 
		<titlestmt> 
		  <titleproper encodinganalog="Title">Katherine Nash Papers,
			 1910-1982</titleproper> 
		  <author encodinganalog="Contributor">Greta Bahnemann</author> 
		</titlestmt> 
		<publicationstmt> 
		  <publisher encodinganalog="Publisher">University of Minnesota
			 Libraries</publisher> 
		  <date encodinganalog="Date">2003</date> 
		  <address> 
			 <addressline>University of Minnesota Libraries</addressline> 
			 <addressline>Minneapolis, MN 55455</addressline> 
		  </address> 
		</publicationstmt> 
	 </filedesc> 
	 <profiledesc> 
		<creation>EAD encoding by Christine DeZelar-Tiedman, 
		  <date>July 2003</date></creation> 
		<langusage> <language encodinganalog="Language" langcode="eng">English</language></langusage> 
	 </profiledesc> 
  </eadheader> 
  <archdesc level="collection" relatedencoding="MARC"> 
	 <did> 
		<origination encodinganalog="100 1" label="Creator: ">Nash, Katherine,
		  1910-1982</origination> 
		<unittitle encodinganalog="245$a" label="Title: ">Katherine Nash
		  papers</unittitle> 
		<unitdate normal="1910/1982" encodinganalog="245$f" type="inclusive" label="Dates: ">1910-1982</unitdate> 
		<repository encodinganalog="852$a" label="Repository: ">University of
		  Minnesota Libraries. <subarea>University of Minnesota
		  Archives [uarc]</subarea></repository> 
		<physdesc> <extent encodinganalog="300" label="Quantity: ">2 record
		  boxes, 1 oversize box</extent></physdesc> 
		<abstract encodinganalog="520" label="Abstract: ">The collection consists
		  of the personal papers of Katherine Nash, professor of sculpture in the Studio
		  Arts Department at the University of Minnesota (1961-1976). It contains
		  correspondence, information on her exhibits and commissions, lecture notes,
		  sketches for sculpture, photographs, clippings and personal writings regarding
		  her philosophy of art. </abstract> 
		<unitid encodinganalog="099" countrycode="mnu" repositorycode="MnU" label="Collection number: ">294</unitid>
		<langmaterial encodinganalog="546" label="Language: ">
		<language encodinganalog="041" langcode="eng">English</language>
		</langmaterial> 
	 </did> <descgrp> 
	 <accessrestrict encodinganalog="506"> 
		<head>Use of materials: </head> 
		<p>Items in this collection do not circulate and may be used in-house
		  only.</p> 
	 </accessrestrict> 
	 <userestrict encodinganalog="540"> 
		<head>Copyright: </head> 
		<p>Requests for permission to quote Katherine Nash should be arranged
		  with the head of University of Minnesota Archives.</p> 
	 </userestrict> 
	 <prefercite encodinganalog="524"> 
		<head>Preferred citation: </head> 
		<p>Katherine Nash papers, University of Minnesota Archives.</p> 
	 </prefercite> 
	 <acqinfo encodinganalog="541"> 
		<head>Source of acquisition: </head> 
		<p>Donated to the University of Minnesota Archives by the John and Alice
		  Frick, the Weismann Art Museum and other unknown sources.</p> 
	 </acqinfo> </descgrp> 
	 <bioghist encodinganalog="545" id="hb"> 
		<head>Biographical notes: </head> 
		<p>Katherine Flink Nash was born in Minneapolis in 1910 to Carl and
		  Elizabeth (nee Peterson) Flink. Katherine attended public grammar and high
		  school in Minneapolis before enrolling in the Minneapolis School of Art in 1926
		  where she studied for two years. Katherine then enrolled at the University of
		  Minnesota in 1928 where she eventually earned a Bachelor's of Science degree in
		  Art Education in 1932. </p> 
		<p>On March 21, 1934 Katherine married attorney Robert C. Nash. In 1937
		  Robert Nash began working for the U.S. federal government as a Special
		  Investigator for the Internal Revenue Service's Enforcement Branch of Alcohol
		  and Tobacco Tax (Robert continued to work for the for the government until his
		  retirement in 1964). Katherine and Robert Nash did not have any children. In a
		  1976 interview, Nash commented about her choice not to have children:
		  "Personally, with the energies that I feel I have, I don't believe I could have
		  been a successful mother and really worked on my art hard enough. It isn't that
		  I wouldn't have tried."</p> 
		<p>From 1939-1944 Katherine Nash took courses at the Walker Art Center
		  School where she studied new sculpture and painting techniques. There is no
		  information in the collection about the early years of the Nash's marriage or
		  Katherine's art activities. </p> 
		<p>In 1948 Robert Nash was transferred to Lincoln, Nebraska. Katherine
		  was hired as an instructor at the University Nebraska, Lincoln (and eventually
		  rose to the rank of Assistant Professor). While at the University of Nebraska,
		  Katherine enrolled in welding, foundry work, pattern making and jewelry making
		  classes. Katherine taught and took courses at the University of Nebraska until
		  1953 when Robert was transferred to Omaha, Nebraska. Katherine then became head
		  of the exhibitions program at the Joslyn Art Museum and continued teaching at
		  the University of Nebraska. </p> 
		<p>The Nashs returned to Minneapolis in 1957. Shortly thereafter,
		  Katherine received an invitation to head the art department at San Jose State
		  College (an offer she apparently declined). Robert accepted a short-term
		  transfer to Washington D.C. and Katherine began teaching at the Minnetonka
		  Center for the Arts (and would continue there until 1963). In 1962 Katherine
		  temporarily re-located to California and worked as a visiting professor at the
		  San Jose State College for a semester. These work-related separations proved to
		  be temporary and by 1963 both Katherine and Bob had permanently relocated to
		  their home on St. Alban's Bay, Lake Minnetonka near Excelsior, Minnesota (a
		  home that they had purchased in 1940). </p> 
		<p>Katherine began her professional association with the University of
		  Minnesota in 1957-1958 when she agreed to serve as the acting director of the
		  University Art Gallery (now the Weismann Art Museum). Katherine then taught as
		  an adjunct professor in the University's Studio Arts department beginning in
		  1961 (in 1963-1964 she was made Associate Professor and hired on as faculty).
		  </p> 
		<p>In addition to her university teaching and museum work, Nash continued
		  to paint and sculpt. Sculpture gradually became her primary means of artistic
		  expression. Nash sculpted in almost every medium from clay, plaster, concrete,
		  stone and wood to cast bronze, aluminum and plastics. Nash is best known for
		  her work with direct and arc welding and her use of found and salvaged
		  materials. </p> 
		<p>Most of Katherine Nash's sculpture is non-representational. She
		  crafted most of her pieces from combinations of metals and worked on both
		  casting and welding projects. Examples of Nash's work can be found at various
		  locations at the University of Minnesota (including the Wilson Library on the
		  West Bank, the Weismann Art Museum on the East Bank and on the grounds of the
		  President's mansion, Eastcliff). </p> 
		<p>Throughout her life, Nash worked and exhibited tirelessly. The 1960s
		  and 1970s brought Katherine acclaim and recognition. Doane College (Crete, NE)
		  awarded Katherine Nash an honorary doctorate of fine arts in 1964. The
		  University of Minnesota awarded Nash the 1975 Horace T. Morse award in
		  recognition for excellence in teaching. In addition, the University re-named
		  the West Bank Union Gallery the Katherine Nash Gallery in 1979. An event that
		  Nash described as "the most exciting thing that has happened to me outside of
		  my wedding" (Minneapolis Star Tribune obituary, 1982). </p> 
		<p>The following years proved to be challenging. In 1976 Katherine
		  retired in order to care for her ailing husband. Robert Nash died in 1978 and
		  Katherine was forced to give up their home on Lake Minnetonka. She moved into a
		  high-rise apartment building near the University of Minnesota's West Bank and
		  lived there until her death. Katherine had struggled with a kidney condition
		  her entire life and in 1982 she died from complications of renal failure.</p> 
	 </bioghist> 
	 <scopecontent encodinganalog="520" id="sc"> 
		<head>Scope and content note:</head> 
		<p>The papers of Katherine Nash contain her personal correspondence with
		  friends and family (including Robert Nash). Included in the family
		  correspondence, is information on family wills and estates that listed
		  Katherine Nash as a beneficiary. Also included in her personal papers is the
		  extensive correspondence between Nash and her doctors at the Mayo Clinic. These
		  letters document Nash's concerns about her general health as well as her
		  concerns about the possibility of renal failure. </p> 
		<p>The papers also consist of Nash's professional correspondence.
		  Included in the professional correspondence is an extensive record of her
		  exhibit activity (including both group shows that she participated in as well
		  as one-woman shows). Nash's rigorous exhibit schedule at the Brussels World
		  Fair, the Joslyn Art Museum, Art in the Embassies Program, the Walker Art
		  Center, the Minneapolis Institute of Art, Doane College, Kansas State
		  University and the Rochester Art Center (among others) is also documented.
		  There is also record of her honorary degree from Doane College, certificates of
		  achievement and membership cards for various organizations including Artists
		  Equity and the Sculptor's Guild.</p> 
		<p>In addition, there is correspondence between Nash and her galleries.
		  Nash's work was carried by Gumps Gallery (San Francisco, CA), the James David
		  Gallery (Miami Beach, FL), Jacques Seligmann Gallery (New York City, NY),
		  Bertha Lewinson Gallery (Los Angeles, CA) and the George Staempfli Gallery (New
		  York City, NY). </p> 
		<p>The papers chronicle her commissions for various public buildings and
		  private collections including the Edina Public Library, the Wright County
		  Courthouse, the Temple Israel Chapel, the Epworth Methodist Church, Kansas
		  State College, the Schuler Candy Company (Winona, MN) and the Farmers and
		  Merchants Savings Bank. [Note: Consult the vitas in the Resume folder in Box 1
		  for a complete record of Nash's exhibits and commissions.]</p> 
		<p>The papers include photographs and an extensive clippings folder.
		  These clippings document both her exhibit activities, public commissions and
		  awards. Nash is highlighted in several "human interest" articles that provide a
		  glimpse into her methods, philosophy, etc.</p> 
		<p>There is also a record of Nash's involvement with administration
		  concerns at the University of Minnesota. She worked tirelessly at the
		  University and was greatly admired and respected by both her co-workers and her
		  students. She played an instrumental role in the creation of the Bachelor's of
		  Fine Arts Degree as well as the Scholars and Honors Programs. </p> 
		<p>Nash was actively involved in Artists Equity and served as the
		  Minnesota Chapter President. The papers include correspondence, member lists
		  and information about Artists Equity trips during the 1960s. Katherine served
		  as organizer and co-leader of several tours abroad (destinations included
		  England, Scandinavia, France, Italy, Greece and Egypt). </p> 
		<p>Included in the papers are Nash's writings. Nash wrote extensively on
		  the meaning and purpose of art, her philosophy of art and her on-going concern
		  with the role of women in the fine arts. Also included is the correspondence
		  that documents her interest in the computer as an artistic tool. During the
		  late 1960s and early 1970s Katherine experimented with computer-generated art
		  and anticipated the computer's future importance to the art community. </p> 
		<p>The papers contain several watercolors and pencil sketches by Nash in
		  addition to two sketchbooks. The sketchbooks contain three watercolor paintings
		  and ink and pencil sketches for sculpture projects. </p> 
	 </scopecontent> 
	 <controlaccess id="in"> 
		<head>Index terms:</head> 
		<p>This collection is indexed under the following headings in the catalog
		  of the University of Minnesota Libraries. Researchers desiring materials about
		  related topics, persons or places should search the catalog using these
		  headings. </p> 
	 </controlaccess>
	 <controlaccess>
		<head>Persons: </head> 
		<persname encodinganalog="600 1" source="lcnaf" rules="aacr2" authfilenumber="n87916107">Rood, John, 1902-1974</persname> 
		<persname source="MnU" rules="aacr2" encodinganalog="600 1">Nash, Robert
		  C.</persname> 
		<persname source="MnU" rules="aacr2" encodinganalog="600 1">Holdeman,
		  Robert</persname> 
		<persname source="lcnaf" rules="aacr2" authfilenumber="n84214134" encodinganalog="600 1">Nash, Katherine, 1910-1982</persname> 
	 </controlaccess> 
	 <controlaccess>
		<head>Organizations: </head> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n82006745">Artists Equity Association</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n85382267">Sculptors Guild (New York, N.Y.)</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n80020337">Walker Art Center</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n80024146">Minneapolis Institute of Arts</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="MnU">Gumps
		  Gallery</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="nr96018097">Jacques Seligmann Galleries</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n81024830">Doane College</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n80084523">Joslyn Art Museum</corpname> 
		<corpname encodinganalog="610" rules="aacr2" source="lcnaf" authfilenumber="n79032235">University of Nebraska--Lincoln</corpname> 
		<corpname encodinganalog="611" source="lcnaf" rules="aacr2" authfilenumber="n85086340">Exposition universelle et internationale (1958 :
		  Brussels, Belgium)</corpname> 
	 </controlaccess>
	 <controlaccess>
		<head>Subjects: </head> 
		<subject encodinganalog="650" source="lcsaf" authfilenumber="sh85007461">Art</subject> 
		<subject source="lcsaf" authfilenumber="sh85119028" encodinganalog="650 #0">Sculpture, American</subject> 
	 </controlaccess> 
	 <dsc type="combined" id="bf"> 
		<head><emph render="bold">Detailed Description of
		  Collection</emph></head>
		<p>The following section contains a detailed list of the materials in the
		  collection.</p> 
		<c01 level="series"> 
		  <did id="a1"> 
			 <unittitle>Box 1</unittitle> 
		  </did> 
		  <c02 id="b1"> 
			 <did> 
				<unittitle>Resumes/Biographical Information</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Photographs</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Mayo Clinic and Medical
				  Treatment</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Katherine and Robert Nash</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Miscellaneous Personal and Professional,
				  </unittitle> 
				<unitdate>1955-1975</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Frank G. Peterson Estate/Frances Foley Cramsie
				  Estate</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sculpture Prices</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Nash Writings on Art/Work Philosophy</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>University of Minnesota, </unittitle> 
				<unitdate>1956-1959</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>University of Minnesota, </unittitle> 
				<unitdate>1960-1969</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>University of Minnesota, </unittitle> 
				<unitdate>1970-1977</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>University of Minnesota: Women's Studies
				  Program</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>University of Minnesota: Sabbatical, </unittitle> 
				<unitdate>1969</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>University of Minnesota: Sabbatical, </unittitle> 
				<unitdate>1971-1972</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Doane College: Exhibit and Purchase</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Doane College: Honorary Doctorate Degree, </unittitle> 
				<unitdate>1964</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Artist's Equity</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Artist's Equity European Trips
				  Correspondence</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Artist's Equity Trip Itineraries</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Furniture Purchases, Copenhagen, Denmark</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibits: Various</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Denver Art Museum, </unittitle> 
				<unitdate>1960</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Rapid City Public School</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: University of Nebraska</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Nebraska Wesleyan University, </unittitle> 
				<unitdate>1966</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Columbus Museum of Arts and Craft, </unittitle>
				
				<unitdate>1964</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Sioux City Art Center, </unittitle> 
				<unitdate>1956-1957</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Rochester Art Center, </unittitle> 
				<unitdate>1965</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Minnesota State Fair (various years) and
				  Purchase</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Tweed Gallery, </unittitle> 
				<unitdate>1963</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Austin State Junior College, </unittitle> 
				<unitdate>1969</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Cincinnati Art Museum/John Herron Art
				  Institute, </unittitle> 
				<unitdate>1959-1960</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Minneapolis Institute of Art (various
				  years)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Walker Art Center, </unittitle> 
				<unitdate>1959</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Exhibit: Walker Art Center, </unittitle> 
				<unitdate>1965</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Walker Art Center</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Joslyn Art Museum</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>San Jose College</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Minnetonka Center of Arts and Education</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Booklet on Sculpture</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Purchases by Individuals</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Juror of Exhibits/Shows</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Summer Arts Study Center (Grand Rapids, MN and Hill
				  City, MN)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>UNESCO Conferences</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Classes: Pottery in Boystown, NE, </unittitle> 
				<unitdate>1953</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Lecture Notes</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Students Writing about Nash (student papers)</unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sculpture Workshop: State Teachers College, Kirksville,
				  MO, </unittitle> 
				<unitdate>1957</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Classes: Women in America</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Classes and Workshops</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Guggenheim Fellowship Application, </unittitle> 
				<unitdate>1957</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Ford Foundation Application and
				  Correspondence</unittitle> 
			 </did> 
		  </c02> 
		</c01> 
		<c01 level="series"> 
		  <did> 
			 <unittitle>Box 2</unittitle> 
		  </did> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: George Staempfli Gallery</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Gumps Gallery</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Bertha Lewinson Gallery</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: James David Gallery</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Jacques Seligmann and
				  Company</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Correspondence: Morris Singer Foundry</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Minnesota State Arts Council</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Golden Gateway Arts Competition, </unittitle> 
				<unitdate>1961</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Art Supplies and Materials</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Shell Casting</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Hobart Brothers Company</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Computer Art</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sculptor's Guild</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Professional Memberships and Correspondence</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>National Council on the Arts and Government</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Corresondence: Nash featured in
				  books/articles</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Rejections (exhibits, commissions, etc.)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Proposal: Sauk County Courthouse Annex</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sculpture Competition, Lincoln, NE, </unittitle> 
				<unitdate>1968</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Art in the Embassies Program</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Brussels World Fair, </unittitle> 
				<unitdate>1958</unitdate> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commissions: Various</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commission: Wright County Courthouse</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commission: Edina Public Library</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commission: Schuler Chocolates Incorporated</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commission: Temple Israel Chapel/Epworth Methodist
				  Church</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commission: Farmers and Merchants Savings
				  Bank</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Commission: Kansas State College (now University of
				  Kansas)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Clippings</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Certificates</unittitle> 
			 </did> 
		  </c02> 
		</c01> 
		<c01 level="series"> 
		  <did> 
			 <unittitle>Box 3</unittitle> 
		  </did> 
		  <c02> 
			 <did> 
				<unittitle>Sketchbook (brown)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sketchbook (green)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Photograph (Edina Public Library commission)</unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Photograph (Unknown building)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Watercolor painting</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Print</unittitle> 
			 </did> 
			 <note> 
				<p>Not sure if this is by Nash</p> 
			 </note> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Folder of sketches</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Haldeman House Plans</unittitle> 
			 </did> 
		  </c02> 
		</c01> 
	 </dsc> 
  </archdesc> 
</ead>
